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unknow artist St. Matthew s oil painting reproduction


St. Matthew s
mk250 From Germany, Aachen, the year of about 800-810 years. Ink, painted in Dan's kraft paper, 32.4 x 25.4 cm. Vienna. Treasures from the Museum of Art Museum.
new20/unknow artist-366878.jpgPainting ID::  56754
 

 

 
   
      

All Pontormo Oil Paintings


 
 
Pontormo St. Matthew s oil painting reproduction


St. Matthew s
mk276 1514 Oil on canvas 69 x 40 cm Vecchio Palace in Florence, possession of
new21/Pontormo-338438.jpgPainting ID::  62068
 

 

 
   
      

Pontormo
  
Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.
St. Matthew s
mk276 1514 Oil on canvas 69 x 40 cm Vecchio Palace in Florence, possession of

Related Paintings to Pontormo :.
| Juan Bautista Martinez del Mazo--Maria Teresa (1638-1683), Infanta of Spain | Italian, Ferrarese - The Conversion of Saint Paul | Robert Campin - A Man | Rembrandt Harmenszoon van Rijn025 (4) | Frans Snijders - Still Life with a Dead Stag | | Girl Picking Poppies | johan pasch | Luncheon on the Grass,Left Panel | Hercules and Antaeus | the legend of the true cross, detail |


        

 

 

 

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